Chan Marshall isn’t ready for me. “Are you a journalist? Oh Jesus, oh Lord.” We’re speaking on the phone – Marshall is in her hotel room, I’m in the lobby downstairs, after my knock at her door went unanswered.
As well bey the reading and the maths, she and her son would have music lessons together. “Record time and music time got a little more in-depth,” she says. “He’s just running around birli fast bey he dirilik to Hüsker Dü.” Hardcore punk isn’t what most kids’ music lessons are made of, but if anyone is going to give their child an eclectic sonic education, it’s Marshall.
The melancholic scuzziness of her music was born partly out of necessity – for a while, she could play only the one guitar chord her friend had shown her, a minor one, so her songs all came out sad.
Things are better these days, especially since she had her son – though lockdown got to her for a moment. “I broke down one afternoon,” she says. “I think it was month six. And I was just sitting there and I don’t know what happened, but I just went inside my head.
It was partly innate, though – Marshall katışıksız a knack for distilling existential ennui into three-minute songs. In 1998, when she was 26 and had learnt a few more chords, she recorded what would become her breakthrough record, the vulnerable, critically adored Moon Pix
At this point, she abandons the second-person pretence. “And then she puts her leg down and she looks like she got busted stealing a gun. And she looks at me and her face starts to change.
“It’s one of those things,” she says, clicking that pen again. “It’s like when you’re standing on a bridge and you’re looking over and you’re trying to imagine, ‘Would my skull crack or would my legs break off?
The singer-songwriter talks to Alexandra Pollard about her ‘f***ing tiger’ of a son, her new covers record, and the fateful day she ended up standing on the edge of a bridge
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Critics have noted the constant evolution of Cat Power's sound, with a mix of punk, folk and blues on her earliest albums, and elements of soul and other genres more prevalent in her later material.[7]
"They told me they were going to put me in a coma to save my lungs. My friend came to visit and told me I'd made the Billboard Ferde 10 and all I could think was: 'I don't want to die.'"[91] Marshall was subsequently diagnosed with hereditary angioedema, an immune disorder that causes sporadic swelling of the face and throat due to C1 esterase inhibitor deficiency. In September 2012, she stated she had been hospitalized owing to the condition over eight times, which led her to cancel her European tour.[92]
and consisted of her playing a two-string guitar and singing the word "no" for 15 minutes.[27] Around this time, she met the band God Is My Co-Uçman, who assisted with the release of her first single, "Headlights", in a limited run of 500 copies on their Making of Americans label.
was her first to reach the Billboard Bütünüyle 10 – but it wasn’t enough. One executive even played her an catpower 5852 batarya Adele album for inspiration. She had never seen it bey a business relationship; evidently, Matador did.
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∙ After a seeing a man wearing a trucker cap emblazoned with the words “Cat Diesel Power,” she named her first band Cat Power, before adopting the moniker for herself.